GES Project Space - CLUNGE - Curated by Whitney Mallet with Basie Allen, Orlando Estrada, Bea Fremderman, Gobby, Amara Korley
CLUNGE - Curated by Whitney Mallet
Basie Allen
Orlando Estrada
Orlando Estrada is a visual and performance artist holding a MFA from the University of Florida and a BFA from Florida International University. Estrada's work has been exhibited in museums and galleries internationally and he currently lives and works in Brooklyn, New York. In January 2016, he founded INCARNATA SOCIAL CLUB, a nomadic performance showcase dedicated to providing artists with an open platform for new and experimental performance art. In his latest performance project, BLACK HOLE, Estrada creates abrasively thick soundscapes as a backdrop for his performative theatrical vignettes, encompassing themes of psychological turmoil, human emotion, and mystic phenomenon. Estrada is fascinated by the supernatural world and his hobbies include paranormal investigation, hot yoga, and collecting mineral samples. - ApexArt
Bea Fremderman
Gobby
Amara Korley
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GRACE:
Grace, n. - simple elegance or refinement of movement
Grace Period - an extended period granted as a special favor
The Three Graces (Greek Mythology) - charm, grace, and beauty
Opened in 2006, Grace Exhibition Space is devoted exclusively to Performance Art. We offer an opportunity to experience visceral and challenging works by the current generation of international performance artists whether emerging, mid-career or established. Our events are presented on the floor, not on a stage, dissolving the boundary between artist and viewer. This is how performance art is meant to be experienced and our mission is the glorification of performance art.
Grace Exhibition Space presents over 30 curated live performance art exhibitions each year, showcasing new work by more than 400 performance artists from across the United States and the world since 2006.
Grace Exhibition Space for International Performance Art Space IRS tax-exempt 501(c)3 status in 2015.
Grace Exhibition Space follows the We Have a Voice Collectives Code of Conduct to Promote Safe(r) Workplaces in the Performing Arts For more information and resources, visit: www.wehavevoice.org